We chatted with Cameron McEachern, the Puppet Designer for Little Shop of Horrors about Little Shop revivals, his design process, and experience with puppet-making.
Little Shop Plant Thoughts:
This has always been one of my favorite shows. Great story, great music and the fun-factor of a man-eating plant. The only usual downside is that most companies do not build their own plants, but rather rely on rentals. So it’s very exciting that Lyric is producing the show with brand new, never before seen puppets. I’ve always believed that the charm of the plants is that they ARE a foam rubber monster, like the b-movie creatures that they are referencing. There’s no getting around the fact that this is a puppet show … but somehow the over the top text of the show combined with well-made puppets makes it work.
We are building our plants utilizing the blueprints for the original off-broadway puppets designed by Martin P. Robinson who, fun fact, is Mr. Snuffleupagus and Telly Monster on Sesame Street. While we are staying true to the original shape and structure of the pods, I have chosen to use a color palette that is more natural and plant-like rather than the brightly colored rainbow puppets that are commonly used. While designing the plants, I worked hard to not only convey growth in size but also show the evolution of the plants from cute baby pod to giant monster. She starts off a pale yellow but as the show progresses and she is fed more and more, her pod becomes greener and greener. As she grows, she develops roots, thorns, warts, and vines. The taper of her lips and snout become more pronounced and menacing.
My Background / Experience with puppets:
To be honest, I don’t have a huge amount of experience with puppets. I have had the opportunity to create puppets for shows in the past, but the majority of the work I do is as a scenic artist with a little prop fabrication thrown in there. What I have really enjoyed about this project is the wide range of skills I have been able to utilize while creating the plants … Paper mache, foam sculpture, sewing / patterning, painting / airbrushing and even a little carpentry… There is a lot more that goes into puppet building than meets the eye.
More About Little Shop of Horrors
This award-winning sci-fi pulp musical about nebbishy Seymour who haplessly pines after his coworker Audrey. Suddenly, opportunity falls into his lap in the form of a mysterious, carnivorous, conniving – not to mention singing – plant that promises to fulfill Seymour’s every wish.
“A show for horticulturists, horror-cultists, sci-fi fans, and anyone with a taste for the outrageous.” – NY Times
About Cameron McEachern
Cameron McEachern (Puppet Design) is a Boston-based scenic artist, designer, prop fabricator, and costumer making his Lyric Stage debut. As a freelance artist, he has been fortunate to work with companies including the American Repertory Theater, Moonbox Productions, Reagle Music Theatre, North Shore Music Theatre, The Company Theatre, and New England Scenic. He is also the paint charge for Wicked Amusements – an escape room and interactive amusement design company.