“A work about the awesome and overpowering force of nature!” — The Guardian
ANNA CHRISTIE
by Eugene O’Neill Adapted & Directed by Scott Edmiston April 6 – May 6, 2018 Winner of the Pulitzer Prize, O'Neill's classic is a surprisingly contemporary play that crackles with fierce physicality, humor, and drama. After a 20-year separation, a coal barge captain (Lyric Stage favorite Johnny Lee Davenport) is reunited with the daughter he unknowingly abandoned to a life of hardship. When Anna falls in love with a shipwrecked sailor, her father and her suitor come to recognize their own culpability in her plight, and all three struggle in their own way for salvation. Following his acclaimed production of Who's Afraid of Virginia Woolf?, Scott Edmiston takes a fresh look at one of America's greatest playwrights.The front page of Monday, March 13, 2017's The Boston Globe features a profile on Producing Artistic Director Spiro Veloudos' battle with type 2 diabetes. It's been a challenging, interesting, and ultimately uplifting time in Spiro's life. Spiro's recovery is a testament to his determination, fantastic medical care, and the support of an incredible theatrical community. We're particularly thankful for
“Deliciously frolicsome! Depths of sheer pleasure!” — NY Times
Virginia Woolf’s
ORLANDO
Adapted by Sarah Ruhl Directed by A. Nora Long In collaboration with the Suffolk University Theatre Department February 23 – March 25, 2018 In this joyful romance of gender roles and expectations, Orlando the man wakes up, after a particularly wild night in 17th-century Constantinople, to find himself a woman! She abandons herself to three centuries of navigating love, desire, and the world from an entirely different perspective. Oft described as the most charming love letter in literature – written by Woolf to Vita Sackville-West – Sarah Ruhl brings the novel to life on stage in a grand, epic adventure that transcends time, place, and gender."The hilarious yet poignant work featured Leigh Barrett as Madame Flo and the irreplaceable Will McGarrahan as the ivory tickler whose affectionate commingling of horror and admiration allowed us to see the Muse-murdering Jenkins as both ridiculous and somehow valorous." - Souvenir "Director Scott Edmiston presided over this pitch-perfect, period-perfect revival of Edward Albee’s 1962 marathon marital battle whose combatants
“Lyrically witty, musically rich!” — the Guardian
Road Show
Music and lyrics by Stephen Sondheim Book by John Weidman Directed by Spiro Veloudos Co-Directed and Choreographed by Ilyse Robbins Music Director, Jonathan Goldberg January 12 – February 11, 2018 On his continuing journey through the works of Stephen Sondheim, director Spiro Veloudos brings us Sondheim’s latest work, Road Show, the true boom-and-bust story of two of the most colorful and outrageous fortune-seekers in American history. From the Alaskan Gold Rush to the Florida real estate boom in the 1930s, entrepreneur Addison Mizner and his fast-talking brother Wilson were proof positive that the road to the American Dream is often a seductive, treacherous tightrope walk.
Home for the Holidays: Bluegrass & Broadway
Lyric Stage Favorite Erica Spyres Singing & Fiddlin’
December 22, 2017 l 8pm Lyric Stage Company of Boston “Erica Spyres proves, yet again, she can do anything!” — Boston Metro “Performed with a shiver-down-your-spine delicacy by Spyres!” — The Boston Globe “Spyres is out of this world!” — WBUR Lyric Stage audiences have been dazzled by Erica Spyres in such productions as Company, Peter and the Starcatcher, Into the Woods, Avenue Q, Who’s Afraid of Virginia Woolf?, Big River, and more! Now enjoy Erica and friends in an intimate cabaret about an actor’s life, auditioning, the joy of landing a role, and life on the road, with a bit of Holiday cheer thrown in! Erica Spyres — from the LYRIC STAGE to the national tour of ONCE and the new Broadway revival of CAROUSEL — home again for one night only!“A sweet love letter of a play!” — NY Times “Devastating and devastatingly funny.” – The Village Voice
Souvenir
A FANTASIA ON THE LIFE OF FLORENCE FOSTER JENKINS
by Stephen Temperley Directed by Spiro Veloudos Music Director, Will McGarrahan October 20 — November 19, 2017 Spiro Veloudos remounts one of his favorite productions in celebration of his 20 years as Producing Artistic Director. Souvenir is an affectionate portrait of Florence Foster Jenkins, one of the finest coloratura sopranos in history — but, alas, only in her own mind! Despite being called "majestically awful," her concerts in the 1930s and '40s, including a legendary appearance at Carnegie Hall, were not only sold-out but were attended by the crème de la crème of Manhattan society. Told affectionately through the eyes of her longtime accompanist Cosmé McMoon, Souvenir is the sweet, inspiring, hilarious portrait of a passionate music lover who believed that "what matters most is the music you hear in your head."“The greatest of all American musicals!” — NY Times
Gypsy
A MUSICAL FABLE
Book and Lyrics by Arthur Laurents Music by Jule Styne Lyrics by Stephen Sondheim Directed and Choreographed by Rachel Bertone Music Director, Dan Rodriguez Suggested by memoirs of Gypsy Rose Lee Original production by David Merrick & Leland Hayward Entire production originally directed and choreographed by Jerome Robbins September 1 — October 8, 2017 “Everything’s Coming up Roses” in this classic musical based on the memoirs of burlesque mega-star, Gypsy Rose Lee, and her stage-mother, the iconic Mama Rose. In the tradition of My Fair Lady, Avenue Q, and Into the Woods, Gypsy will once again prove that the intimate Lyric Stage is the perfect place to experience the very best of the American musical theatre, especially the work of the brilliant Stephen Sondheim.by Katharine Mayk, Artistic Assistant Amelia Broome* and Christopher Chew* in Lyric Stage’s production of Sweeney Todd. Photo: Mark S. Howard You don’t have to be an assassin, a witch, or a murderous barber to understand one. Stephen Sondheim revolutionized the the American musical by using rich characters with identifiable emotions as the driving force of the story in each of his
by A. Nora Long Barbra. Bette (and Bette). Bernadette. Beyoncé.Women of stage, screen, and song who live so large in popular imagination they are known by their first names alone (and I’ve just named the Bs). These women have achieved a rarified status with legions of fans world-wide, but their elevation to the divine is often owed to a